PAP-SE Workshop in Charleston SC - Part 2

 photo of the Shem Creek marsh I completed on Thursday afternoon

     For Day 3 we returned to Shem Creek to watch the very entertaining Larry Moore create one of his famous boat scenes from the dock.  He is a master of drawing lines that follow the rules of perspective to create believable weather-beaten fishing boats.

Larry Moore explaining hard/soft edges and the warm/cool vibrations of color temps.

     Each of these three masters imparted so many wonderful techniques to use.  It is now our duty to study and paint, paint and paint some more!

     It was exciting to meet so many PAP-SE members at the Wet Paint Show on Friday night which showcased all their efforts that they created all week long.  Their beautiful paintings were in three different galleries along Broad Street.  Again it was so exciting to see their beautiful creations in person.    

      This workshop was a great excuse to reunite with four friends.  We had taken a workshop in Atlanta back in 2012 and this was a good way to reconnect with them and spend some good ART time with them. We ate our way through Charleston and sampled the delights at Magnolias, Slightly North of Broad, Vickery's, Water's Edge and Eli's Table.  We even made a late-night run to River Street Sweets near the market for some pralines!

     It was an incredible week and I am so blessed to have had this experience.  It was exhausting but SO MUCH FUN.

PAP-SE Workshop in Charleston SC - Part 1

     This past Wednesday, Thursday and Friday I was one of 15 lucky students able to participate in a three-day PAP-SE workshop in Charleston sponsored by PAP-SE and Galerie on Broad.  Each day we had a different instructor painting in a different location.  Jim Richards, Bill Davidson and Larry Moore were the fabulous instructors this year.  They each did a demo in the morning, followed by lunch and then we fanned out and it was our turn to try to create something based on what they taught that morning.

     Day one started with a demo across the street from the gallery.  Jim Richards painted his light-filled street scene emphasizing sunlight and shadow in a value sketch of three values.  He then added color slowly to create an inviting Broad Street scene.

Jim Richards using a piece of cardboard to blur, soften and lose the edges.

     Day two took us out to Shem Creek Park where Bill Davidson showed us how to construct a marsh scene where composition and design are paramount and showed how shape and value are critical to a good painting.

Bill Davidson showing how to create depth in his marsh scene.

Tomorrow I will finish my recap with Part 2.